Fancy getting paid to go and blabber to someone about music, finish, and then go down the road and do it all over again. It seemed an easy enough way to make a living, and maybe the right time for me to move from sales to promotion anyway. Once I made the decision there was a whole new opportunity in front of me. All the relationships I had built up in the retail sector meant nothing, I now had to go and do it all over again. What I had learned from working in sales however, was vital to my communication skills. I had met a bunch of great people, now I was hoping I would meet a bunch more….but I wanted to write the script.
We really did make it up as we went along. I don’t remember any formal training at Island Records, I didn’t take an exam, I don’t have a ‘BA Plug’. I and others like me were employed because it was deemed we were the type of people who could get the job done. Most of what else happens is what you make happen. It’s not really like being a mechanic…….if someone doesn’t teach you how to fix a set of brakes then someone might drive off a cliff, or if your bath malfunctions you may drown. There are basic principles in trades, and you need know the basics to fix the job. Working in the music industry is about who you know as much as what you know, nothing happens until you build relationships………and building relationships takes time.
None of us went to any music school, nobody taught us. What for when we had the opportunity to learn from real record people, people like Chris Blackwell, Ahmet Ertegun, Herb Alpert and Jerry Moss. What you learn from music industry courses depends on how innovative that school is. While a teacher may think they know how to teach music business……. I think you need to have real world education and be taught be people who’ve been there and done it. An academic in the music industry is a recipe for disaster. Teaching and working with artists are a million miles apart.
You can’t teach an artist anything, they are creative people. You need to understand that person and what you need to do to help them be creative. Tell them what to do and you may as well go and look for another job. No teacher could ever have taught me what I learned from my education in the music business. If I was around someone who’d been there and done it, someone who played a part in my initiation to music as a record buyer I was attentive and receptive to their ever word. I wanted to learn from their experiences. You don’t want to be them but you are inspired by what they have done and strive for that level of accomplishment. My mentors were my vision of where I wanted to go.
That pedigree of music industry person no longer exists and has a lot to do with why the industry has declined. These people and others like them, made the music industry a better place to be.
Filed under: About Tony Michaelides, Business Lessons, Innovation, Journey Through The Past, Managing Creativity, Opportunity, Add new tag, Ahmet Ertegun, building relationships, Chris Blackwell, Herb Alpert, Innovation, Island Records, Jerry Moss, music education, plugging records
Recent Comments